Saturday, August 14, 2010

2007 Cannes Film Festival Competitors

By Maddox Penner

Lights in the Dusk: Koistenin is a sad sack, a man without affect or friends. He's a night-watchman in Helsinki with ideas of starting his own business, but nothing to go with those intentions. He sometimes talks a bit with a woman who runs a snack trailer near his work. Out of the blue, a young sophisticated blond woman attaches herself to Koistenin. He thinks of her as his girlfriend, he takes her on her rounds. She's in league with a crook who's planning a jewel robbery, and Koistenin is their patsy. Will he ever wise up?

Marie Antoinette: "All eyes will be on you," says the Austrian duchess, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France.

Days of Glory: Algeria, 1943, through Italy and France, to Alsace in early 1945, with a coda years later. Arabs volunteer to fight Nazis to liberate France, their motherland. We follow Sad, dirt poor, an orderly for a grizzled sergeant, Martinez with some willingness to speak up for his Arab troops; Messaoud, a crack shot, who in Province falls in love with a French woman who loves him back; and Abdelkader, a corporal, a budding intellectual with a keen sense of injustice. The men fight with courage against a backdrop of small and large indignities: French soldiers get better food, time for leave, and promotions. Is the promise of liberty, equality, and fraternity hollow?

Colossal Youth: This is scrambled story telling in slow motion. Often I found myself thinking about Beckett. The dialogs appear irrelevant, having to do with mundane personal life experiences, friends and relatives. These are poorly educated people after all. In fact one better pay close attention to the prate. It is through small revelations and asides in conversations that we pick up the clues to the life of Ventura and those close to him. The quiet and unpretentious acting, the extended takes, the absence of broad movements, the occasional lengthy silence, all can be soporific. Yet one needs to listen carefully.

Friend of the Family: Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people's affairs, pretending to be the "family friend". One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a "beauty and the beast" relationship.

Reason of the Weakest: In Lige, a group of men gathers every day in a cafe situated near the steel factory which once reigned supreme. They play cards in a warm atmosphere but that hardly masks their quiet desperation. All unemployed, either because they can't find work like Patrick or because they have been made redundant like Robert and Jean-Pierre, they try to forget their lot in the warm atmosphere of the place. One day, Marc, a newcomer, joins them. It soon appears that the man has just been released from prison and even if he is determined to go straight his presence suddenly inspires Robert : why not try criminality? - 40730

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