If you're looking for an action flick that's a little different from the usual shaky cam and incoherent running and shooting, Exiled may be the answer. It belongs on any movie downloads queue for the way that it manages to create a strange, dreamlike trance in its action through slow motion and unpredictable developments.
Years after a top ranked lieutenant in the Triad betrays his boss, the boss, played by Simon Yam, sends a pair of hitmen to take him out. Meanwhile, two members of the gang come to protect the man. These characters were all friends in the gang, and it's out of duty that the two hitmen come to kill their old partner. They come to a compromise and decide to pull off a big score to support the man's wife and child before settling their conflict.
There's a warmth and sweetness to what happens. Where most gangster movies are defined by that cold, impersonal "Just Business" approach to violence, here, none of the characters really want to shoot at each other, they've been friends since they were young, and they seem upset that it's come to this.
Johnnie To, the Hong Kong action legend, directed this film with a sense of sweetness and sentimentality and nostalgia. John Woo and Ringo Lam defined the Heroic Bloodshed genre alongside To with films like Hard Boiled and City on Fire, and To was always considered sort of the third wheel of the genre. This film, however, is much different from anything you might have seen from that era of Hong Kong action.
The dreamlike quality to the film is really something. Shootouts take place in slow motion, with action that takes only thirty seconds being expanded to several minutes. One incredible scene begins with a character throwing a Red Bull can into the air, and climaxes just as the empty can hits the floor, with bullets flying and people dying over the course of an incredible slow motion bullet ballet.
The story is fairly confusing. You have to simply watch it for the emotional drive of the characters, because the plot line is all over the place, however, this actually helps the movie's dream like quality. Even the director has said that he didn't know exactly what was going on while directing the film, and was hoping that he would figure it out in editing. When that didn't work out, he decided that, maybe someday, it'll make sense.
The Heroic Bloodshed era of Hong Kong action flicks was certainly an incredible time for film lovers. Hard Boiled and City on Fire defined the genre, being angry, explosive films, showing independent characters taking on the masses as a symbol of Hong Kong independence against Chinese communism. Lam and Woo went to Hollywood, and you could argue the qualities of their American films. Johnnie To stayed behind and turned the genre into something entirely different.
Where the classic Heroic Bloodshed films were about anger and revenge, this one is about forgiveness and compassion, and is certainly a unique, one of a kind action film, both exciting and trance like at once. - 40730
Years after a top ranked lieutenant in the Triad betrays his boss, the boss, played by Simon Yam, sends a pair of hitmen to take him out. Meanwhile, two members of the gang come to protect the man. These characters were all friends in the gang, and it's out of duty that the two hitmen come to kill their old partner. They come to a compromise and decide to pull off a big score to support the man's wife and child before settling their conflict.
There's a warmth and sweetness to what happens. Where most gangster movies are defined by that cold, impersonal "Just Business" approach to violence, here, none of the characters really want to shoot at each other, they've been friends since they were young, and they seem upset that it's come to this.
Johnnie To, the Hong Kong action legend, directed this film with a sense of sweetness and sentimentality and nostalgia. John Woo and Ringo Lam defined the Heroic Bloodshed genre alongside To with films like Hard Boiled and City on Fire, and To was always considered sort of the third wheel of the genre. This film, however, is much different from anything you might have seen from that era of Hong Kong action.
The dreamlike quality to the film is really something. Shootouts take place in slow motion, with action that takes only thirty seconds being expanded to several minutes. One incredible scene begins with a character throwing a Red Bull can into the air, and climaxes just as the empty can hits the floor, with bullets flying and people dying over the course of an incredible slow motion bullet ballet.
The story is fairly confusing. You have to simply watch it for the emotional drive of the characters, because the plot line is all over the place, however, this actually helps the movie's dream like quality. Even the director has said that he didn't know exactly what was going on while directing the film, and was hoping that he would figure it out in editing. When that didn't work out, he decided that, maybe someday, it'll make sense.
The Heroic Bloodshed era of Hong Kong action flicks was certainly an incredible time for film lovers. Hard Boiled and City on Fire defined the genre, being angry, explosive films, showing independent characters taking on the masses as a symbol of Hong Kong independence against Chinese communism. Lam and Woo went to Hollywood, and you could argue the qualities of their American films. Johnnie To stayed behind and turned the genre into something entirely different.
Where the classic Heroic Bloodshed films were about anger and revenge, this one is about forgiveness and compassion, and is certainly a unique, one of a kind action film, both exciting and trance like at once. - 40730
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